Lowender is a powerful audio plug-in designed to be a subharmonic synthesizer reminiscent of classic analog dual-band bass enhancer circuits. More than a simple EQ, the Lowender creates new bass content from your existing audio material. From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application! While taking the classic “Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material. Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop). Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end – or you can leave some of them in, for raspier bass sounds.
Lowender Crack+ [April-2022]
The Lowender is a completely analog low-frequency enhancement plug-in that is based on the principles of the classic analog dual-band bass enhancer circuits. The sound is controllable via a trimable low-frequency filter, envelope generator, and powerful overdrive section. Unlike the constant-frequency of a subharmonic oscillator, the Lowender works at a variable frequency to provide the exact low bass enhancements that best fit your mix! Getting the typical dual-band bass enhancer sound at reasonable price is relatively simple, but difficult at the same time, since there are no true analog elements available. To be honest, many engineers end up going for the radio distortion section, which is not up to the task of getting an authentic low-frequency enhancement. That is why we have delivered the Lowender! It’s simple and inexpensive, but with a powerful subharmonic oscillator and all the bells and whistles you need to get that dual-band bass enhancer sound. The Lowender is based on the B-50 Dual-Band Bass Enhancer (basses.org), but we have covered every single part of the circuit for a precise analog emulation. Therefore, there are no parts of the circuit you will not be able to reproduce! While the B-50 circuit offers a wide range of frequencies (up to 25kHz), the Lowender only works up to 10kHz, and can be set in trimmer units for lower or higher frequencies. Among the features the Lowender offers: The VCBG CBG Edge Clock Reserved Modulation Coarse knob Fine knob Send and Return S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 S16 S17 S18 S19 S20 S21 S22 S23 S24 S25 S26 S27 S28 S29 S30 S31 S32 S33 S34 S35 S36 S37 S38 S39 S40 S
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Lowender For Windows 10 Crack Beta 1 version: Features: Create Authentic Subharmonic Bass from your Audio! Take your audio material and use the Lowender to create authentic subharmonic bass sounds from the bottom up. The Lowender is simple to use and provides a wide range of tone from very dry sounds (heavily EQ’d and EQ’d again) to saturated and distorted subharmonics. In addition to creating subharmonic bass sounds from your program material, the Lowender can also be used for stereo bass sound design for mixing. The Lowender is unique in that it makes the distinction between strong subbass and lower bass, not only by its frequency range, but also by being able to pass the signal directly to the output. Unlike other subbass generators, the Lowender is not merely limited to EQ’ing bass from a sinewave signal source (i.e. a sine wave generator). Moving Bass Frequencies to Almost Any Audio! The Lowender will move bass frequencies from any signal source into your audio material. When using Lowender for bass sound design for mixing, this means that you are able to match the subbass frequencies of a specific audio source with an audio track on another channel. This can be really useful in situations like when mixing audio sources that have strong subbass frequencies. By matching the subbass frequencies of a specific audio source to your audio mix, you will enhance the subbass frequencies of the audio sources to a greater degree than you would with an EQ-based subbass generator. Easily Switchable Frequency Range The Lowender gives you the option to select between two frequency ranges. A low frequency range (0-8 kHz) or a high frequency range (7.5-12 kHz). Switchable Low Frequency Gate The Lowender lets you control the subharmonic filter cut-off frequency. To get the best results, use the Lowender to create your subharmonics, then use the Lowender’s “gate” function to remove unwanted noise from between the subharmonics. This creates an even more authentic subharmonic bass sound. Variable Lowpass Filter The Lowender uses a variable lowpass filter that allows you to cut off unwanted higher harmonics. This is a powerful way to get smooth, low end bass sounds while still maintaining a raspier, more bass-forward bass sound. Output or Drive 2f7fe94e24
Lowender
The Lowender is a unique plug-in designed to enhance bass content. Using a harmonically dense algorithm, it is able to generate the characteristic bass sounds of the low-range, as well as a variety of other deep, powerful bass-enhancing tones. At the center of the plug-in is a versatile multi-stage resonance, overdrive and filter section. At the very center of the Lowender are three resonant filters. The first two are 2-pole bands, a narrow-band bandpass filter for midrange and a wide-band bandpass filter for bass. The last filter is a bandstop band, ideal for compressing the output and for removing unwanted highs and mids. Because you can select the filters to be bandpass, stopband, or anything in between, the Lowender can add the lush, open midrange of a tube amp, the deep, rumbling, dark midrange of a bass guitar, or a smooth, punchy low end. Along with the filters, the Lowender features a powerful, resonant multi-stage overdrive. Here, you can adjust the resonance, delay, level, feedback, and even apply a de-esser to further shape and enhance the bass. The filter and overdrive controls are both modifiable with the scope of the entire frequency spectrum. There are two main methods of controlling the Lowender: through automation and manually. While the automation section provides many options to automate the various stages of the bass-enhancing process, the manual controls afford ultimate control over the final product. If the automatic processes aren’t working for your mix, or if you want to fine-tune the filter bandpass to your needs, you can do so manually. The Lowender offers a wide range of options for each of the components it features. When two or more instruments share the same frequency range, using EQ to mix them down together is an essential part of a stereo mix. But, sometimes a single part just „gets away” and you can’t seem to bring it back in a timely manner. We all know that subharmonics can be an effective way to „clean up” unwanted bass in your tracks, but how often have you had to do it manually? The Lowender offers a wide range of sidechain processors for automating the process of subharmonic generation, allowing you to generate a fast, intelligent bass effect, for a fraction of the time and effort required in using a traditional subharmonic generator (such as an Oscillator
What’s New in the?
Key Features: Available as stand-alone VST plug-in for Mac and Windows. Over 3,000 free presets. 3 Switchable frequency ranges, from 30 Hz to 180 Hz in increments of 10 Hz The built-in mixer lets you mix multiple frequency ranges to create your own subharmonic content Capture and save your own subharmonic samples Two waveforms, waveform, and spectrum display In the new 2020 update, the Lowender now has the following features: Capturing clips directly from other instruments or the audio track is now a seamless and simple process Fixed issues with the Wurlitzer presets not working The Lowender’s compressor now has the following features: Fixed issue with the built-in mixer not working The gain knob will now allow more tonal content Lowering the threshold of the compressor’s gain function will now reduce its attack time while still keeping the compressor at a wide dynamic range If you’ve been using external subharmonic processors such as FX-Pads or A-Zone then you already know the problem of tuning one of these devices to a certain dynamic range of music. For example, the biggest problem you get when using many subharmonic devices, is that the maximum and minimum volume can be reached and the subharmonics start to fight each other. To overcome this situation it’s required to have several dual-band systems, each on a different dynamic range. In the past the solution was to run two separate subharmonic effects, the first running on the very low end and another on the mid frequencies and then mix both “sonically” together. But not anymore! The Lowender created the ideal solution of a subharmonic synthesizer with switchable frequency bands. Just combine any number of existing subharmonic processors, mixing them together in the Lowender and let the magic happen. The whole frequency range of your music sources will be captured by the Lowender and transformed into a perfect and authentic subharmonic bass material that keeps all your existing subharmonic effects. How to Order? Pricing for the audio plugin, a USB MIDI Controller and the onscreen manual are outlined below. Plug-in: $199.95 (+$15 S&H) USD USB MIDI Controller: $79.95 (+$5 S&H) USD Software Manual: $
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